![]() "His appeal was universal," says Lou Rawls, who sang with Cooke on 1962's "Bring it on Home to Me" and was a lifelong friend. The singer blended distinctive black and white musical styles "to create a much broader-based sound," he says. In making the transition from gospel to pop, Cooke "had in mind a much greater crossover," Guralnick says. But then he could lean into the song and just take the church out," Guralnick says. ![]() "Sam presented this easygoing, relaxed approach. He says Cooke's handsome looks, confidence and poise on stage drove audiences wild. Peter Guralnick wrote the script for the new biographical DVD, Sam Cooke: Legend and the liner notes for the accompanying CD, Sam Cooke: Portrait of a Legend 1951-1964. ![]() "His distinctive tenor soared on the high notes and glided over the lower ones, floating easily from soft to loud and smooth to rough," NPR's Bob Edwards says in a Morning Edition report on the famous singer. With a string of hits, including "Cupid," "Wonderful World," "Chain Gang," and "Twistin' the Night Away," he bridged the gap between rock and soul and became a legend. But six years later, Cooke left gospel for the world of pop music. ![]() Sam Cooke began his career as a gospel singer, becoming the lead vocalist for the Soul Stirrers, one of the nation's top gospel acts, at age 19. Cooke's "sound is so pure and so much his own," biographer Peter Guralnick says.
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